Menu

About Me
(Under Construction)

Welcome to my world!

I'm a 55+ year old product of the 80's. Lived the dream at one time in my life, but am just getting far too old far too too quick, and the body is falling apart. I still play a little here and there, but for the most part, my dreams of becoming a rock star are long gone.

To be quite honest, I never truly wanted to be a rock star. Of course it had been on my mind for quite some time when I was young and learning. No, my deepest desires proved to be playing for the enjoyment of playing guitar and creating music. I tried the band thing here and there, but I soon found out that I'm too much of a prick to work with. I have all of these ideas inside my head, and if you can't reproduce them, I'll do it myself! I just didn't play well with others. I did many collaborations with other guitarists, and I enjoyed the hell out of that! But playing with drummers, bassists, keys, and singers did nothing but irritate me. So, I wound up learning all of the other instruments and did it all on my own. THAT'S where I was happiest!

Why don't we go back to the beginning so you're not sitting here reading all day! lol

I started out around 1980 pulling my father's '57 Fender Esquire out from underneath the bed when he was at work and messing around with it. Usually trying to tune it and breaking strings quickly putting it back under the bed and denying any involvement!

Not long after, a friend got me a beat up old guitar and amp for my 12th birthday and showed me the basic chords. I was off and running from that point on! Playing upwards of 16 hours a day learning Joan Jett and Ted Nugent songs (not very well at the time due to not knowing what I was doing).

Then in 1985, Iron Maiden released their double LP: Live After Death. Probably the greatest album I had ever heard to date and my buddy (Steve Anocibar) and I learned it cover to cover! That was the first learning boost I had and really sent me off running and my previous addiction became an obsession!

I later became corrupted by the thrash world when I bought Slayer's Hell Awaits [tape] and started learning that! Music couldn't get fast enough or heavy enough for me at that point! Anthrax, (early) Metallica, Exodus, Megadeth, Suicidal Tendancies, Venom, Cryptic Slaughter, Death Angel, Fates Warning, etc. were some of the bands that did it for me! This time period would define my playing for the rest of my life!

I joined the Army in 1990 and was sent to Germany where I met a great musician; Brett MacLean. This guy was GOOD! To this point, I really didn't know what a scale was and would just throw my fingers around hoping for the best. He got so annoyed listening to me one day that he pulled me aside and started showing me scales! My playing improved 100-fold! HE also introduced me to multitrack recording and I was off writing like a madman!!

Some years later I found Dream Theater and my playing improved even more! Unfortunately, I forgot what 4/4 was and joined the progressive world of music!

By the year 2000 I got my first real multitrack recorder (Korg D8), an Ibanez RG7420, and some other recording devices. I couldn't stop writing and recording!

All these events have defined my playing and after being introduced to the Varney Clan, I was heavily into writing instrumantal music and never got off on vocal tunes.

So here I am today! I had many opportunities to do something with my music, but all of them either slipped through my fingers or I was just too into what I was doing to care. It has always been a passion for me and I have always played for myself. Music was so therapeutic for me and I would get so wrapped up in it that the thought of having to conform to other influences or direction just annoyed me, I tried the band thing many times and it just didn't do it for me. I was a pain in the ass to work with! I had to have everything done a certain way and was very demanding!

So what we have left are a bunch of songs (missing hundreds of recordings from over the years) compiled and displayed on this website for you to listen to and hopefully enjoy! A lot of it is very sloppy, but keep in mind that I am always learning and my learning curve was to write material that was too difficult for me to play (I always wrote down my songs in tab and notation before recording it). Then learning it eventually becoming better at playing the weird stuff rolling around in my head!

So check out the music, enjoy, and take it for what it is: fun experimental songs written by a mad man!

Influential Albums

Iron Maiden - Live After Death 1985
Great, GREAT album from the 80's.
Insanely fun music to listen to and learn!  

Slayer - Hell Awaits 1985
Slayer definitely requires a taste for heavy
music!
But an insanely energetic band!

Jason Becker - Perpetual Burn 1988
Jason was a prodigy and such a sad story!
Highly recommend checking him out!

Dream Theater - Images & Words 1992
This is where I got lost and never returned!
PLEASE check them out!

My Guitars

I started out (back in the 1800's or something) playing my friends Les Paul (original and beautiful!). But, I eventually wanted my own guitar of course.   SO, I saved up a bit, and hit the local music store!

I don't know if it was the candy-apple red that caught my eye, or if I heard about them somewhere, but this Ibanez Roadstar II guitar had my attention for some time! So, that's the one I grabbed! Yay me!

I wore that thing down so quick from playing upwards of 16 hours a day, and loved the hell out of it! I eventually installed a Floyd Rose trem on it (did a pretty good job actually!), and my SLAYER days began! That guitar lasted me over 10 years, and it always played amazing!!

When I joined the Army, I had enough to buy a new guitar. I think I went on the Musician's Friend site to buy one. I was living in Germany at the time, and music shops were a tad scarce. I picked up an Ibanez RG 550 Desert Sun Yellow with all of the trimmings! I remember the day it arrived; when I opened the case, the smell of vanilla was so strong, it almost knocked me over! That smell lasted the entire life of the guitar! Well, at least until the damage began showing up and I decided to paint it.

The thin neck was f*****g amazing! And the sound was brilliant! I began hanging out with another guitarist who was phenomenal, and he turned me on to the ADA MP1 processor, and Alesis Multiverb effects processor. The DiMarzios sounded perfect with that combo, but on other amps, it was a tad...bright(?). I eventually began installing custom Seymour Duncan pups into all of my guitars. Their tone suited me perfectly on every amp! Still though, I was hooked on Ibanez!

I've owned other brand guitars over the years (Schecter, ESP, Peavey, Fender, etc.), but they never played the same. Ibanez was so completely comfortable in my hands! I would always sell off the other brand guitars, and keep on with Ibanez.

This also began my serious recording. I had been recording on the ol' Fostex and Tascam 4-track cassette tape recorders, but this introduced me to the digital world. The first song I recorded (I believe the night I bought the stuff) was Florida.

Around 2000, I inherited a little bit of money. Not much, but enough to grab an entire new setup! I grabbed a Peavey cab with Sheffield Speakers (12"), A nice Casio Keyboard (not the toys they put out), a Tascam 8-track recorder, and a brand spankin new Ibanez RG7420! I always wanted to try a 7-string guitar, so I just bought one! And a new era for TheJonezter was born!

The neck on that 7 fit my hand like a glove! Ultra thin, and the width of the fretboard fit perfectly, as you can see from my background image on this page. I pretty much abandoned the 6-string guitar, and was playing 7's from that point on! I tried playing my 6, and it just felt like a toy.

I eventually had sort of a haiatus from playing that lasted about a year. And when I returned to playing again, I started back on 6-string, and fell in love with it once again. I still adore my 7-strings, but I enjoyed both worlds now. I tried playing an 8-string a few times, but the necks were ridiculously wide   and hard to reach around. 6, and 7's are just my thing. Years down the road, and I'm still playing Ibanez exclusively, as you can see from the pics below.

And that's my story on choice of guitars!

My Guitars
Ibanez RG7420FM

Erin

Of course I have to have a 7-string!

Ibanez RGA7420FM

This guitar has a body made of Meranti with a Flamed Maple Top, 3-piece Maple neck with the fretboard made from Jatoba, 25 1/2" scale, Edge Zero II-7 trem, and the pickups are explained below.

I'm a big fan of Seymour Duncan pups, and they went into this one as well. The guitar is a little light, but it feels right!

The color is almost mesmerising! I purchased this one from Guitar Center, and was glued to it the minute I had seen it! The blue colors instill a sense of calm that my anxious/ADHD-ass needs! Which is why I named it after my soulmate who had passed back at the beginning of 2021. Her presence alone gave me a calming feeling that nothing else could ever match.

Ibanez JemJr

Marie

My baby!

Ibanez JemJr with Custom Seymour Duncan Pickups!

Mahogany body, Wizard III 1-piece Maple neck with Rosewood fretboard, 25 1/2" scale, double locking Floyd type trem, and custom Seymour Duncan pups.

This thing plays and sounds like a dream! It almost seems too easy to play at times!

It's body is made from meranti wood, which isn't a hardwood, but is firmer, and holds its sustain better than basswood.

All of my guitars are named after my soulmate, with the exception of my newest; named after her sister, who was a great friend and I love her very much.

...

Black

My bang around guitar!

Ibanez RG5EX1

Basswood body, 3-piece Maple neck with Rosewood fretboard, 25 1/2" scale, Edge III trem, Pickups: Bridge: Ibanez INF4, Middle: Ibanez INFS3, Neck: Ibanez INF3.

I actually love this guitar for its weight, tone, and reverse headstock! It has Stock DiMarzio's in it, but it sounds amazing, which is why I haven't replaced them! These pups, made by Ibanez, apparenlty like the heavier woods, and they have a much gooder bottom end.

Even though it has a basswood body, it feels like a mahogany body, and gets close to, if not the same sustain as mahogany.

Ibanez Prestige RG2027XL

Tara

My newest guitar!

Ibanez Prestige RG2027XL

Holy Hayal! This guitar is phenomenal! The picture doesn't do it any sort of justice! The finish on this thing is like glass! The body is either Basswood, or Mahogany. They made both, and the specs on this one says Mahogany. It's much heavier than Basswood, and the sustain is amazing!

7 string (of course! lol), 27" baritone scale, two DiMarzio Fusion Edge 7 pickups, Lo-Pro Edge Trem, Gotoh Tuners, the works! I have had many, many Ibanez guitars, because I absolutely love them! But, the craftsmanship on this guitar, the way it sounds and plays, is the best I have EVER played!!! It had a hefty price tag, but I wanted a really good guitar before I die, and I got it with this one! Much gooder than I expected!!

As I said, this guitar was named after my soulmate's sister. She was a great friend, and I love her very much! Even though we had a falling out after her sister had passed and haven't spoken since, she still holds a special place in my heart, and I will always have nothing but love and respect for her.

Other Products Used
Ibanez RG7420FM

Ernie Ball Super Slinky

My father used nothing but Ernie Ball Super Slinky's. He always told me that they were, by far, the best guitar strings around! As I followed in his footsteps playing guitar. I also heeded every piece of advice he ever gave me. If he said that Ernie Ball made the best strings, then Ernie Ball made the best strings!

I was never disappointed!

I have tried other strings on my guitars, and none have ever matched the longevity of these strings! They kept their bright tone forever and a day, and they lasted a long time before I would break one!

I have always felt the 9's were the best for my playing. I tried using the extra light 8's for a minute, but wound up breaking the .008 within hours of putting them on. SO, to this day, I play the 9's.

.009/.011/.016/.024/.032/.042

On my 7 string guitars, standard string sets come with a low B .054. However, they weren't selling 7 string sets when I began playing one, and I always chose a .052 for the low B. It's a little tighter, but seems to sound better in a mix. Now that the 7 string sets are being sold, I buy them with the .054's.

Ibanez RG7420FM

Jim Dunlop Nylon .38mm Picks

I have tried so many different picks in my time. Nnothing has come close to matching the quality of Jim Dunlop Picks! Most other guitar picks will actually break, or wear down really fast! Dunlop Picks have outlasted anything I have tried.

My playing style has changed over the years. I used to play very heavy music, and would turn my pick when playing fast. I would use the Dunlop Jaz III picks, and it worked for the time. But, I started noticing that you could hear my pick scraping against the strings in my recordings, and I hated it! So, I started to mess around with my picking style, and found that the flatter I kept my pick against the string, the less pick noise you could hear, and the cleaner the solos would sound.

Playing with a heavy pick, like the Jazz III's, it became difficult to play flat against the strings. So, I started testing out lighter picks, and found the most comfort in the .38mm picks. They would bend and give when picking a note, giving it a more crisp sound, rather than the pick sliding across the string "scrape" sound.

Every guitarist has the problem with dropping their picks now and again. I tried different things to help with the grip, and wound up using black fabric tape. The type of tape used in some construction and electrical fastening. It's considered a friction tape that gets tacky when it heats up. This was perfect for guitar picks, as when you pick them up, you get your perfect positioning of the pick between your thumb and index finger, and when it heats up due to your body heat, it becomes tacky and holds in place. I can even let go of the pick, and it will hold on to my thumb! I have never dropped a pick since using this tape!

I need to patent the idea...lol

Ibanez RG7420FM

Line 6 POD HD PRO X &
Spider II 112

As for the guitar amps I have used, I have been through countless brands! Unfortunately, I have never been able to afford the high end amps, but I still wanted to get a certain tone.

I have found a great compromise in the Line 6 products! They sound amazing, with great amp modelling that doesn't have that full blown digital amp sound, their effects are built in and sound amazing, and the price tag is down at a poor musicians price!

I grabbed the rackmount Line 6 POD HD PRO X   that was used, but the person that previously owned it couldn't figure out how to use it, so he sold it to a Guitar Center. I found it, with the FBIII Foot Pedal together at an amazing price, and bought it! Paired with a Rocktron 200 watt Power Amp, and a LIne 6 4x12 Speaker Cabinet, this thing sounds unbelievable!!! The configuration is done either by the small screen and a myriad of buttons and knobs on the unit itself, or by using the software that comes with it having a great graphical display to configure exactly how you want it to sound, what effects to use, and the cabinet configuration! It also has direct line outs that have some of the best cabinet emulators I have ever heard! When recording, you can get the exact sound to the DAW as you get from the speakers!

I live in an apartment, and the walls are very thin. Granted, you can use the rack unit at low volumes that sound just as amazing as loud volumes, it's pretty bulky! So, I picked up a Line 6 Spider II with the 12" speaker for practicing with. It also sounds amazing, and the configuration is similar to the POD HD PRO X!

© 2024 kcjonez.com. All Rights Reserved.